Tycho – Coastal Brake

Building up to the release of Tycho’s forthcoming album, ‘Coastal Brake’ gets the single treatment, delivered with remixes from Danish shoegaze-tronica hero Manual, Ghostly regular Lusine and cosmic disco enthusiast Hatchback. The original sees producer Scott Hansen looking beyond the Boards Of Canada influences that tended to characterize early works. Those warm, vintage-styled synths are still very much present, but the upbeat tone of the production and its deep, warm rhythm section lend a broader appeal. The Manual remix sounds very much as you’d expect, full of reverberant splashes and Cocteau Twins-inspired additional instrumentation, while Lusine supplies a streamlined, very precise electronic makeover. In a more Balearic mode, Hatchback throws in some shimmering disco, resulting in arguably the most successful of all the remixes.
1. Coastal Brake
2. Coastal Brake (Manual Remix)
3. Coastal Brake (Hatchback’s Cosmic Caviar Dub)
4. Coastal Brake (Lusine Remix)

Tycho - Coastal BrakeBuilding up to the release of Tycho’s forthcoming album, ‘Coastal Brake’ gets the single treatment, delivered with remixes from Danish shoegaze-tronica hero Manual, Ghostly regular Lusine and cosmic disco enthusiast Hatchback.

The original sees producer Scott Hansen looking beyond the Boards Of Canada influences that tended to characterize early works. Those warm, vintage-styled synths are still very much present, but the upbeat tone of the production and its deep, warm rhythm section lend a broader appeal.

The Manual remix sounds very much as you’d expect, full of reverberant splashes and Cocteau Twins-inspired additional instrumentation, while Lusine supplies a streamlined, very precise electronic makeover. In a more Balearic mode, Hatchback throws in some shimmering disco, resulting in arguably the most successful of all the remixes.

Tracklist:

1. Coastal Brake
2. Coastal Brake (Manual Remix)
3. Coastal Brake (Hatchback’s Cosmic Caviar Dub)
4. Coastal Brake (Lusine Remix)

jónsi solo album details

jónsi’s debut solo album “go” will be released march 22nd 2010 in europe, march 23rd in usa. the album contains nine songs, most of which are sung in english, and was co-produced by jónsi, alex somers and peter katis (the national, interpol). jónsi will be embarking on an extensive world tour throughout 2010, of which more information will be annonced later.
“go” initally began as a low-key acoustic record, but, according to jónsi, “somewhere along the line it just sort of exploded”. the result is a joyful and dramatic album, featuring ecstatic string, brass and woodwind arrangements by composer nico muhly (antony & the johnsons, grizzly bear), as well as warmer, more melancholic moments.
in the coming weeks, jónsi’s official site www.jonsi.com will be updated with exclusive behind-the-scenes photos and videos of jónsi and collaborators making the record. in addition you can download the track “boy lilikoi” for free, and listen to samples from the album by clicking the “jónsi” letters. artwork on the site was created by jónsi’s sister inga birgisdóttir (press images for the album were shot by jónsi’s other sister lilja birgisdóttir).
“go” tracklist
go do
animal arithmetic
tornado
boy lilikoi
sinking friendships
kolnidur
grow till tall
around us
hengilas
read full press release

jonsi-presssigur rós front man jón “jónsi” thor birgisson will be releasing his debut solo album, entitled go, on parlophone records on march 22nd 2010 (xl recordings on march 23rd 2010 in north america). co-produced by jónsi, alex somers and peter katis (the national, interpol), mixed by tom elmhirst in london, and recorded in iceland and connecticut, go is exhilarating, joyful and fearless. the record also features arrangements and piano playing by acclaimed composer nico muhly.

jónsi has spent more than a decade writing epic compositions with sigur rós, creating some of the finest, most acclaimed albums of the last ten years. the choice to make an album of solo recordings came together as a solution to a backlog of songs jónsi had written that didn’t seem to fit within the sigur rós context. the first collection of this material saw its release earlier this year in the form of a record called riceboy sleeps, an instrumental album made with his partner, alex somers. go, however, is a different beast entirely. ecstatic, dramatic and alive, it features jónsi’s signature vocals throughout, with the majority of the songs sung in english.

when he began working on go, jónsi initially though he would be making a low-key, acoustic album until, as he says, “somewhere along the line, it just sort of exploded.” that explosion resulted in sheer aural fireworks. not a straight ahead pop record, nor rock, folk, ambient or electronic, it encompasses all of these to create an expansive musical palette that’s been brought to life by jónsi alongside a number of free-spirited collaborators.

chief among these is nico muhly, the philip glass protégé who is renowned for his work with björk, antony & the johnsons, bonnie “prince” billy and grizzly bear. muhly has arranged all the songs on go, bringing strings, brass and woodwind to dance playfully alongside his offbeat piano playing. add into the mix the percussive genius of samuli kosminen, whose original drumming powers many of the songs along, and you have a sonic landscape that bears little relation to anything else around today, yet explodes from the speakers with sheer happiness and wonder, wide-eyed and eager to be heard.

go completes a personal journey for jónsi away from the wordless and near-brutal sonic monoliths of sigur rós’ untitled ( ) album, and is a bold stride beyond the career-redefining pop of “hoppipolla”, and even the explosive percussive assault of the last album’s “gobbledigook.” above it all sits jónsi’s voice, which has never been more impressive or breathtakingly arranged; here spectral and wraithlike, there fulsome and gorgeously warm, or other times, his backing vocals swoop and dart everywhere in a giddying array of crazed inventiveness. indeed, go is also one of the most joyous collections of songs you’re ever likely to hear. it’s an album that sounds like an artist entirely out on his own, doing exactly as he pleases, and from the creator of some of this decade’s most inventive, evocative music, we would expect nothing less.

jónsi will be bringing these songs to life with an extensive world tour throughout 2010. for more details on this, along with exclusive jónsi news, music and information, please check out www.jonsi.com

“go” tracklist

1. Go Do
2. Animal Arithmetic
3. Tornado
4. Boy Lilikoi
5. Sinking Friendships
6. Kolnidur
7. Grow Till Tall
8. Around Us
9. Hengilas

Jónsi – Boy Lilikoi

Back in May, we reported that the voice of Sigur Rós, Jónsi Birgisson, was working on a solo album with composer Nico Muhly (Grizzly Bear, Antony and the Johnsons). Producer Peter Katis (Interpol, Frightened Rabbit) let the news slip on the Calcutta blog, saying, “It’s going to be a largely acoustic guitar record but also with a lot of ‘out there’ string arrangements…strings, woodwinds, brass, and double bass, actually.”
Well, the first song from the record, “Boy Lilikoi”, is now available to download at Jónsi’s brand new website, for the price of an email address. It’s got all of those instruments and then some– it’s the most orchestrated thing the singer’s been involved with, which is actually saying something. It is also in English. (A lilikoi is a passion fruit that looks quite delicious, btw.)
You can listen to a few more snippets of new material from the forthcoming album, which is called Go, on Jonsi’s website.

jonsi452Back in May, we heard reports that the voice of Sigur Rós, Jónsi Birgisson, was working on a solo album with composer Nico Muhly (Grizzly Bear, Antony and the Johnsons). Producer Peter Katis (Interpol, Frightened Rabbit) let the news slip on the Calcutta blog, saying, “It’s going to be a largely acoustic guitar record but also with a lot of ‘out there’ string arrangements…strings, woodwinds, brass, and double bass, actually.”

Well, the first song from the record, “Boy Lilikoi”, is now available to download at Jónsi’s brand new website, for the price of an email address. It’s got all of those instruments and then some– it’s the most orchestrated thing the singer’s been involved with, which is actually saying something. It is also in English. (A lilikoi is a passion fruit that looks quite delicious, btw.)

You can listen to a few more snippets of new material from the forthcoming album, which is called Go, on Jonsi’s website.

Michael Pisaro – Hearing Metal 1

The 60-inch (“Mikrophonie”) tam-tam is a large piece of metal, a proto-sculpture. Brancusi might have altered it: rounding and tapering the edges, making an oval instead of a circle, polishing the surface into smooth gold.
The tam-tam is also a vast sound landscape-an instrument that makes noise at the slightest provocation. A resonance is created just in the act of walking past the instrument or breathing on it … that is, if your ear (or a microphone) is close enough to hear it. Wherever it is touched with a bow or a hand, it responds with chaotic, unpredictable complexity, never producing the same sound twice.
I have attempted to work within the givens of this landscape, to allow some of its implicit contours to reveal themselves-by collecting sounds, giving them a duration, putting them into a clear structure, and cutting a path through them with pure tones.
Sleeping Muse is something like a four-part chorale of bowed sounds, with a melody made up of long sine tones buried in the sounds.
The Endless Column is a collection of sixty extremely light, close recorded strikes, randomly ordered, but with a rising scale of sine tones mixed in, more or less within the central frequency range of the tam-tam (from 50 to 671 hz).
Sculpture for the Blind arranges eight layers of bowed sounds (which are then released) along a pattern of lengthening durations and combined with a sine tone trio, again woven into the sounds of the tam-tam.
Hearing Metal 1 is the product of close collaboration between composer and performer. The piece evolved as Greg made test recordings based on my suggestions and then sent them to me. As it happened we feel we fell into its world, in order to move it slightly towards our own.
Michael Pisaro

Michael PisaroThe 60-inch (“Mikrophonie”) tam-tam is a large piece of metal, a proto-sculpture. Brancusi might have altered it: rounding and tapering the edges, making an oval instead of a circle, polishing the surface into smooth gold.

The tam-tam is also a vast sound landscape-an instrument that makes noise at the slightest provocation. A resonance is created just in the act of walking past the instrument or breathing on it … that is, if your ear (or a microphone) is close enough to hear it. Wherever it is touched with a bow or a hand, it responds with chaotic, unpredictable complexity, never producing the same sound twice.

I have attempted to work within the givens of this landscape, to allow some of its implicit contours to reveal themselves-by collecting sounds, giving them a duration, putting them into a clear structure, and cutting a path through them with pure tones.

Sleeping Muse is something like a four-part chorale of bowed sounds, with a melody made up of long sine tones buried in the sounds.The Endless Column is a collection of sixty extremely light, close recorded strikes, randomly ordered, but with a rising scale of sine tones mixed in, more or less within the central frequency range of the tam-tam (from 50 to 671 hz).

Sculpture for the Blind arranges eight layers of bowed sounds (which are then released) along a pattern of lengthening durations and combined with a sine tone trio, again woven into the sounds of the tam-tam.

Hearing Metal 1 is the product of close collaboration between composer and performer. The piece evolved as Greg made test recordings based on my suggestions and then sent them to me. As it happened we feel we fell into its world, in order to move it slightly towards our own.

Michael Pisaro

Orba – iPhone Game

Kieffer BrosDescription Category:Games
Release Date: Nov 18, 2009
Homepage: http://kiefferbros.com/
Publisher: Kieffer Bros.

Games
Release Date: Nov 18, 2009
Homepage: http://kiefferbros.com/
Publisher: Kieffer Bros.
Description Category:
Games
Release Date: Nov 18, 2009
Homepage: http://kiefferbros.com/
Publisher: Kieffer Bros.

Meet Orba a screen-clearing strategy game. Tap chains of three or more same-colored orbs to clear as much of the board as possible. The longer the chain the higher the points. When you’re out of moves, more orbs drop in. When your board is completely filled and has no moves left, it’s Game Over.

Screen Shots:

CCCF194Fd01 08D2164Bd011F4E154Ad01

Addiction incarnate, Orba will having you playing while you eat, “work,” and sleep. Orba is a beautiful way to stretch your mind… or waste your time. I was just about to push the buy button when i realized that it’s Free for a limited time! Go and grab it now! Kieffer Bros. are up and coming, keep you’re eyes open for new beautiful games coming from this small independent game studio.

Also check out Kieffer Bros.Game Lexic similar to Orba, the gameplay is simple trace words, rack up points, unlock gorgeous tile sets, and battle for worldwide fame and glory on their global score leader boards. With four different play modes, there’s something for everyone in Lexic-Strategy, speed and just plain fun!

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