09 Dec

0 Comments

Eno & Reigakusya with Peter Schwalm – Music for Onmyoji

by

Eno, Brian and Reigakusya with Peter Schwalm – Music for Onmyoji (ltd.ed)

Strictly limited edition in special package, a unique collaboration of ambient music and Japanese traditional court music, inspired by Reiko Okano and Baku Yumemakura’s comic/novel “On-myo-ji”

This piece of Art / Music is a journey back in time. Japanese traditional music is mixed with the five elements and thou i don’t understand what they are chanting i feel like I’m listening to and ancient Japanese tale.

This is an amazing experience I wish everyone could hear it, especially those who are interested in Japanese and asian culture. The picture to the left is both the art and the album cover, it’s a piece of art itself. in fold-out silver digipak sleeve with a hologram picture, wrapped in clear plastic cover.

  ONMYOJI: A practitioner and/or master of “Onmyodo,” the craft which uses the Yin and Yang principle to interpret between natural and unnatural phenomena and astrological occurrences to foresee the fortunes of humans. One of the primary duties of the Onmyoji involved using his occult powers to serve and protect the Heian Emperor, the royal families, and the kingdom from malevolent spirits and demons.

Other terms comparable to Onmyoji are: exorcist, supernatural protector, Yin and Yang master, soothsayer, mage, mystic, shaman, wizard, sorcerer, magician, and even necromancer. HEIAN PERIOD: The Heian period (794-1185 AD) is a significant era of medieval Japan known for the presence of an aristocratic ruling class and a culture of refined lifestyles, whereby language, literature, music, other fine arts and crafts developed and flourished. It was during this period of luxury and grandeur that the famous Japanese literature, “The Tale of Genji,” considered the world’s first romance novel, was authored by a female aristocrat.

The Heian period embodied peace, an elegant society and great prosperity, however, many years later, the absence of a single, unifying administration to rule all of Japan would eventually plunge the country into a long-term civil war between hundreds of feudal lords, all vying for power, glory and territory. THE FIVE ELEMENTS OF YIN AND YANG: This is a philosophy, which explains the existence of all things by combining the five natural elements with the basic principle of Yin and Yang.

The two spirits of Yin and Yang gave birth to the five elements of wood, fire, earth, metal, and water. ABE NO SEIMEI: He is the most recognized Onmyodo master among the imperial order of the Onmyoji serving the Heian Emperor. Although Seimei is officially sponsored by the ruling family, the Fujiwara clan, he does not reside at the royal palace, but lives on his own private estate. Aside from his highly regarded mystical and medicinal skills, little is known about the enigmatic Seimei.  

He has been described by both men and women as beautiful, aloof, carefree, and not seemingly human, perhaps due to the popular folklore belief that his mother was a kitsune (a magical white fox creature that could impersonate a human being). As with other Onmyoji, Seimei dons a special head ware and robe that signifies his specialty and high rank within society.  

He is often the target of jealousy among other Onmyoji (in particular, his rival, Doson) and avoids becoming involved with their political powerplays. (Historical footnote:  Seimei was an actual real-life person and Onmyoji who lived in the capital city, Kyoto, from 921-1005 AD during the Heian period.) HIROMASA: Full name:  Minamoto no Hiromasa. A court noble and swordsman serving the Heian emperor, Hiromasa befriends Seimei and enlists his aid.  

Hiromasa is attracted to the princess, Sukehime, and is quite fond of playing his fue (wooden flute) during nightfall.DOSON: Doson is the court? elite Onmyoji. With his sights set on higher, sinister ambitions, Doson surreptitiously uses his occult skills to manipulate humans and the demons of the netherworld to do his bidding. Beneath his calm and calculating demeanor, Doson seethes with jealousy over his rival, Seimei and resentment over the Mikado (emperor).FUE: A wooden flute used by all classes of people, from the commoner to the imperial soldier.   Even Onmyoji have found that the fue could be used as a tool to calm and appease demons, through its soothing melodies. HITOGATA: A small straw doll or a human-shaped effigy.  

The hitogata could be used as a tool by humans, spirits or demons to inflict harm on an individual. The concept is similar to that of a voodoo doll, whereby a psychic spell or a curse is channeled through the hitogata to affect the targeted person. KARASUBOUSHI: An ornamental cloth head gear of varying heights, shapes and designs worn by imperial court officials, advisors and other male members of nobility and rank serving the Heian emperor.   It was considered embarrassing to be seen without the karasuboushi on one’s head and the wearer would only remove it from his head when he was in complete privacy.

It was not uncommon to even retire to sleep with the karasuboushi still on. OFUDA: A paper seal, card, tag or scroll used by Onmyoji and monks to enact a magic spell for attack or protection purposes. Ofuda may sometimes have word characters written or symbols drawn onto them with a writing brush.  Depending on the user’s skill, ofuda can even be temporarily transformed into a living thing or an inanimate object.MIKADO: The term for emperor, majesty, his highness, etc. MONONOKE: A general term for evil spirits, ghosts, monsters or demons.

Demons were also referred to as “Yokai.” Vengeful spirits were known as “Onryo.”   In addition to causing panic, pestilence and death, malicious apparitions and demons were believed to be capable of possessing the mind and body of unsuspecting human beings or even creating an alternate body. Onmyoji were heavily relied upon to perform incantations and other arcane rites to either control or vanquish the mononoke.

01 Dec

0 Comments

Tetsu Inoue

by

Tetsu Inoue – Ambiant Otaku is one of the greatest albums in ambient music history.  

This album were originally released in 1994 limited to 1000 copies only, and it was reissued some years later. 

Ambiant Otaku is an atmospheric inner trip. Listening to this album is an out of body experience you feel like you are one with cosmos, traveling without moving. An amazing solo debut! even the reissue is hard to come by, often fetching high prices on sites such as eBay and Discogs.

Biography 

A native of Tokyo, Japan, Tetsu Inoue is an ambient composer whose solo and collaborative works with the likes of Pete Namlook, Jonah Sharp, and Atom Heart are important documents of new school ambient an experimental electronic. Inoue began playing music in high school, starting on guitar in pop/rock cover bands. He began experimenting with synthesizers and early monophonic sequencers, inspired by the fusion of pop, psychedelic rock, and experimental electronic pioneered by groups like Pink Floyd, Tomita, and particularly Yellow Magic Orchestra, and by the mid-’80s was scoring for ballet and small dance groups.

Tetsu Inoue moved to New York around 1986, securing an apartment before heading for an extended stay in San Francisco, where he played guitar in karaoke bands and began working with SF-based composer Naut Humon. He returned to New York soon after, continuing to amass demo material, and headed for Germany in the late ’80s, where he met Uwe Schmidt (Atom Heart) and Pete Namlook.

Although ostensibly on vacation, Inoue recorded his first work for release while in Frankfurt (Station Rose, a collaboration with Schmidt, on Cyclotron) and, upon his return to New York, began working with Namlook on a number of different projects. Although dabbling in dance music styles such as techno and trance during this period, he was moving increasingly toward strictly ambient composition, and Namlook’s noted Fax label would release several of his albums through the early to mid-’90s.

Most of his best solo and collaborative works appear there, including 2350 Broadway and Shades of Orion with Namlook, Electro Harmonix with Jonah Sharp, and Ambiant Otaku, Organic Cloud, and Slow and Low as a solo artist. His mature aesthetic centers around a fusion of by turns haunting and contemplative soundscapes layered with heavily treated samples and field source materials, and occasional, usually sparse percussion. It’s most elegantly stated on such works as MU (with Atom Heart as Masters of Psychedelic Ambiance) and World Receiver.

24 Nov

0 Comments

Drexciya

by

“Could it be possible for humans to breath underwater? A foetus in its mothers womb is certainly alive in an aquatic environment. 

During the greatest holocaust the world has ever known, pregnant America-bound African slaves were thrown overboard by the thousands during labour for being sick and disruptive cargo. Is it possible that they could have given birth at sea to babies that never needed air? 

Recent experiments have shown mice able to breathe liquid oxygen. Even more shocking and conclusive was a recent instance of a premature infant saved from certain death by breathing liquid oxygen through its undeveloped lungs. These facts combined with reported sightings of Gillmen and swamp monsters in the coastal swamps of the South-Eastern United States make the slave trade theory startlingly feasible. 

Are Drexciyans water breathing, aquatically mutated descendants of those unfortunate victims of human greed? have they been spared by God to teach us or terrorise us? Did they migrate from the Gulf of Mexico to the Mississippi river basin and on to the great lakes of Michigan? 

Do they walk among us? Are they more advanced than us and why do they make their strange music? 

What is their Quest? These are many of the questions that you don’t know and never will. The end of one thing…and the beginning of another. 
Out – The Unknown Writer” 

Drexciya was an underwater country populated by the unborn children of pregnant African women thrown off of slave ships that had adapted to breathe underwater in their mother’s wombs.

Real Name: James Marcel Stinson, Gerald Donald

Profile: Detroit electro-techno outfit Drexciya was conceived in 1989, but first came into the public eye in 1994 with “Aquatic Invasion” – the first of a thematic series of releases. Drexciya’s James Stinson and Gerald Donald remained hidden behind their alias for much of the group’s existence, communicating a complex personal mythology of a “Drexciyan” race of underwater dwellers descended from pregnant slave women thrown overboard during trans-Atlantic deportation. Within this fiction, their music – which they claimed was recorded “live in the studio” rather than programmed – was imagined as a “dimensional jumphole” between their black African roots and the contemporary USA. 

Sadly Stinson died suddenly on 3rd September 2002 of a heart condition. Donald continues to produce music under other names.

Filed Under: Ambient, Music

Tags: , ,

14 Nov

0 Comments

The Beat Is The Law

by

A film by Eve Wood

The Beat Is The Law is a feature-length independent documentary about the journey through the 80’s and 90’s taken by a group of innovative artists living in Sheffield, a city famous for Electronic Pop but at the same time worst hit by Thatcher’s economic policies; an anarchic journey which lands them at the heart of the UK’s Dance and Britpop movements.

Through in-depth conversations, archive imagery and a stunning soundtrack the film documents the highs and lows of some of Sheffield’s most influential artists at a time when music played a key role in peoples’ lives. A time when the Beat was the Law.

The Beat Is The Law is currently in production and will have its world premiere in 2009

For one of the film’s pieces of artwork on sale in the shop, Phil Wolstenholme was asked, the mind behind some of the most classic Warp album designs, to come up with a little piece of computer art reflective of his time represented in the film. He came up with such an amazingly intricate and personal piece of art! Hurry up to buy! Original Giclée Print limited edition of 100 only.

Originally a Fine Art graduate of Sheffield Hallam University, Phil Wolstenholme has worked at the coalface of inventive computer art for nearly 20 years, and has inhabited a variety of strange but CGI-rich environments during that time.

Often working in conjunction with Designers Republic, Phil produced some of the most enduring sleeve images of the electronic/techno phenomenon from the early-to-mid 90’s. In his cover images for musical artists such as 808 State, The Orb, and Cabaret Voltaire, and for clients such as Warp Records, Designers Republic, Sony Japan and Strictly Rhythm, his unique style and pioneering use of 3D imagery helped define the look of a whole new musical genre.

Cover images of the time include such classics as:

‘The Extended Pleasures of Dance EP’ by 808 State
‘Yeah You’ by The Step on Warp Records
‘This is Strictly Rhythm’ and ‘Tracks ‘92? on Strictly Rhythm Records
‘UFOrb’ by The Orb
‘Groovy Laidback and Nasty’ and ‘Colours’ by Cabaret Voltaire
‘Pioneers of the Hypnotic Groove’, compilation series on Warp Records
‘(Artificial Intelligence)’ and ‘(Artificial Intelligence II)’ on Warp Records
‘A Different Drum’ by The Shamen
‘The Professional School of Techno’ on Sony Music (Japan)
‘Pulseman’ on Frogman Records (Japan)

In 1993, together with CG artists David Slade and Jess Scott-Hunter, he produced a still talked-about (and still influential) video release that set Warp’s finest electronic musical artists against ambitious CGI, in a suite of plot-based animation sequences. On a miniscule production budget, ‘Motion’ exceeded all expectations, and launched at the ICA in London, was a huge success.

Alongside this were projects such as a collaboration with the British composer Gavin Bryars, producing 3D animation for projection during live orchestral performances of ‘Sinking of the Titanic’, 1995.

Since these heady days, Phil has continued to produce commercial CG images, is a panoramic landscape photographer, and has also worked extensively within the software industry, designing, developing and demonstrating new 3D software packages and literature. Phil recently exhibited a new body of work at a former monastery in Provence, France.

He has also launched a publishing company, Heavy Everywhere®, producing digital fractal imagery for fabric, interior design and other product lines. The first fashion release is a range of luxury swimwear on a new label in January 2009. More information on the official The Beat Is The Law site.

29 Oct

0 Comments

PowerMate

by

Brian Eno is a genius and unparalleled figure of all time! Listening to Ambient 2, the Plateaux of Mirror, this is the good stuff, music for your body mind and soul.

“Do you know what I hate about computers? The problem with computers is that there is not enough Africa in them.”?- Brian Eno, May 1995

This quotation is from an article in Wired Magazine, I have never forgotten it.

“What’s pissing me off is that it uses so little of my body. You’re just sitting there, and it’s quite boring. You’ve got this stupid little mouse that requires one hand, and your eyes. That’s it. What about the rest of you? No African would stand for a computer like that. It’s imprisoning.” ?…still Brian Eno.

Yes. That’s May 1995. More than 10 years ago. And what has happened? The scroll wheel.

PowerMate – USB Multimedia Controller

The scroll wheel is an excellent invention and I can’t think of using a computer without one. Still it’s just you and that mouse. Maybe you keep your other hand at the keyboard.

The Griffin Powermate has a name, a look and a description that suggest that you should use it to adjust the volume on your computer.

It’s incredibly well built, good looking, solid and very useful knob. You can use it to scroll in my browser. To zoom in Photoshop. To shuttle in my video editing software. To scroll in my photo archive. Right hand on the mouse. Left hand switching between the keyboard and the Powermate.

It has completely removed quite a bit of straining your right hand.

There is a very reliable rule that says that a company that makes hardware can never make good software (look at the software that follows ATI’s graphics cards or Creative’s MP3 players etc…*) Griffin has done an exception with the Powermate. The latest version of the software for this device is actually quite useful. And if you don’t like it you always have Girder and the Girder Powermate Plugin.

The Powermate puts a tiny, tiny bit of Africa back into my computer.

* Yes, Apple is an exception